What benevolence resides
in you, I cannot say;
and how I hold you
clear and warm against
high tide
on a rocky beach -
it's like glass, a picture windown on a rainy night
where you say, "It's really pouring outside."
It's still cold;
but irrelevant too because
you took me home and
though I came back, I can say
I have seen it -
like a sea monster in the surf, of the Virgin Mary
in a cheese sandwich, it's palpable -
a miracle; a step closer to magic
and the breaking of that
last barrier
before the world turns.
1.
I don't know what's happening. These days
the night insists on keeping me
bright past the hours of reason
and long into the dark
sharp time delineated by walls and
where the lamp does not swell to. Someone
is speaking and I'm afraid it might be
someone inside me, quite separate,
quite distinct from who I already
know to live here. Lines
in the mirror, on the shadow
are sharper than they were once
and maybe even beautiful, but certainly
familiarity breeds familiarity and
I like it
better than beauty. Maybe it's
this new body I'm sucking into,
sucking and sculpting sucking and
refusing out breath - maybe it's malnutriti
It doesn't matter a million tongues
you wrap around the cosmos as you
pass it by, it's what's in
the storm of your eyes that'll really
move them; and it doesn't matter
the miles that you run on the wheel,
it's what you said when you fell
heel over heel
down the toll road to every
beautiful land mine;
thing is, babe, you're stuck
in time and it's not art
that'll break your back,
it's how you're splayed across
the rest of the track, waiting
for the steam train to come
revelation you home. There's death in it
and turning to stone.
for YH and Leke
Men are quite wide. Even the delicate
strands of them have expanse, the ones
voted most likely to be swept away
with the tide at exhale or come daylight.
It's the set of the shoulders.
It's the absence of breasts.
There is more room there, in the chest,
to make camp for the night, light a fire,
peg your tents in deep.
It's why, sometimes, people give them
the world to hold, why Atlas
is always a man - load-bearing
silent philosophy,
so summer-light warm, so right.
It's so summer-light warm tonight.
Have you made camp yet, love, are you alright?
1.
I have destroyed you in the monochrome.
Every time I etch you
in stone or metal, print you out
on the surface of the sky, I find you
incomplete. And eaten.
What kind of termite insect blight
would take away such ravishment
and leave behind no colours?
Only archaeological remains, only novelties.
I don't understand
how I have such power in my hand, how
I can bleed you of colour
and then erase you of form
and how, how
you leave quietly, willingly,
the deepest grooves in my skin,
the shape of where
I loved you.
2.
Dig up a city to find
the long lost love
of some unfortunate troglodyte
pounding poetry
into th
For Everyone I've Ever Loved by manchaliaina, literature
Literature
For Everyone I've Ever Loved
I moved you a mountain in my soul, I moved you
a hurricane in a hole, I
moved you over
to that side of the bed, I said
sweetie, roll a second, will you
just roll
and I don't know.
About writing love songs.
I just sing along to others
and hold tight to my own chords
because I love you
just a little less than -
I don't know.
I ate a magic yellow bean, I ate
an open-ended dream, I
ate a day of being
in between
you and the edge of the bed, I said,
sweetie, roll a second,
I need some control
and I don't know
about writing love songs.
I just sing along to others
and hold tight to my own swords
and I love you just a little le